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BLOOD AND CHOCOLATE. It's a strange title for a movie if you ask me, particularly if it's a horror flick. I can understand the
blood part, but
chocolate?! And not seeing the trailer, the title was actually what put me off from seeing the movie right away. In fact, I almost didn't go watch it. I thought that it was some cheapo B-movie. I had to check for reviews about
Blood, to make sure that it was at least worth my hundred and fifty pesos. Aiden (Hugh Dancy) is an artist doing research on Bucharest's ancient arts and relics for his next graphic novel based on the mythology of the
Loup Garoux -- shapeshifters whose ability to effortlessly change into both human and wolf was once considered to be holy among men. He runs into and falls for Vivian (Agnes Bruckner), who, unbeknownst to him,
is one of the
Loup Garoux. One of the last of her kind in fact,
and is under the control and protection of Gabriel (Olivier Martinez), the leader of the last packs of
Loup Garoux who is to be her predestined husband. The movie may prove to be a disappointment for hard-core horror flick fans, as
Blood doesn't really
have a lot of... well,
blood. It's actually more of a romantic thriller (well, more
romantic than
thriller ), minus the blood and gore that would normally accompany these kinds of movies. Heck, even the transformation of the
Loup Garoux from human to wolf was done in an elegant or romantic kind of way, as opposed to how most of us have seen it done in other movies (
An American Werewolf In London, The Howling, Wolf, etc). But what can I say? I'm a sucker for these kinds of stories, and I actually liked this one. It's not the
best of this genre, but it's still pretty good nonetheless.
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HANNIBAL RISING.
Silence of The Lambs was one of
the best movies ever made. With stellar performances from the two leads,
Jodie Foster and (especially)
Sir Anthony Hopkins. For me, it's one of those films that should be left alone. Meaning, no sequels, and no remakes. That's why I was a bit concerned when
Hannibal came out ten years later, and
Red Dragon in 2002. Fortunately, both movies weren't as bad as I feared it would be. The most important reason being the fact that
Hopkins still played the deliciously frightening
Dr.Lecter. So imagine my surprise
and dismay when I found out
another movie about the infamous doctor was made. Pardon my ignorance, but I'm not very knowledgeable with Thomas Harris' work -- and, apparently, Harris did write a novel about the origin of Lecter, so I guess it was but
inevitable that a movie was going to be made based on said book. The thing is, in my opinion, Hopkins
is Hannibal Lecter, and it would be difficult to see anyone else play the role other than him.
Okay, so it's not like Hopkins could play a very
young Hannibal (the movie's about his origin after all), but it's also difficult (for me anyway) not comparing the guy who plays Lecter in this one (Gaspard Ulliel) to Anthony Hopkins. And it's pretty much what ruins
Hannibal Rising for me. Ulliel's portrayal of Lecter reminded me more of
Crispin Glover's The Thin Man in the
Charlie's Angels movie(s). As I said, Hollywood should have left
Silence of The Lambs alone and not made any more Hannibal movies. Especially with this latest. Anthony Hopkins saved
Hannibal and
Red Dragon, but a Hannibal movie without Hopkins is just inconceivable.
Useless knowledge : There was actually another actor that played Hannibal The Cannibal before Sir Anthony Hopkins, and that was
Brian Cox (who has appeared in movies like
Troy, The Bourne Identity and
The Bourne Supremacy, to name a few) in a
Michael Mann-directed film called
Manhunter (an excellent movie), starring
CSI's William Peterson. Info courtesy of the dvd lent to me by
Ld.
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CURSE OF THE GOLDEN FLOWER. Forget about the story because this will just leave you dazed and confused,
especially the ending (which will also irritate the heck out of you). But if you really wanna know,
Hero and
House of Flying Daggers director
Zhang Yimou, gives us his latest offering -- a martial arts
"epic" starring
Chow Yun-Fat, as an emperor in 10th century Tang Dynasty that's got some
family drama going on in his life : he's married to
Gong Li, who's having an affair with her husband's eldest son (that sounds icky but, don't worry, she's
not related to him) - and the emperor also wants to turn her insane by slowly poisoning her; his middle son is clearly having designs on the throne; and his youngest son spends his time brown-nosing and skulking around the palace.
But that's not all... someone's
also raising an army to strike at the heart of the empire during the annual chrysanthemum festival, someone
else is searching for a long-lost relative, and so on.
Curse has beautiful costumes, superb cinematography, but, other than that, this movie is best left alone. Well... unless you can't help yourself and you just want to see a crappy movie. To prove my point, there's a scene where a
huge battle happens -- a lot of people get killed -- but the moment the fight is over, palace servants appear out of nowhere and
clean and clear out the
thousands of dead bodies lying around and
voila!, it was as if
nothing happened. That scene was just
so damn funny! (it wasn't
meant to be funny)
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THE HOLIDAY. After having problems with the men in their lives, Amanda (Cameron Diaz) - a Hollywood movie trailer producer - meets British writer Iris (Kate Winslet) on-line and decide to do a home-swap in each other's countries (I didn't even know some people do this kind of thing -- I thought to myself
wouldn't it be great to swap my home for some huge abode, with complete amenities like a pool, superb sound system, a ginormous tv, etc? - then again,
nobody's gonna want
my place - haha), only to meet a local guy and fall in love. The trailer would suggest that this is a
Cameron Diaz-Kate Winslet vehicle, but I felt that it was more of a
Cameron Diaz show, as the movie seemed to focus more on her story and her scenes seemed to be longer than that of Kate's. Writer-director Nancy Meyers did much better with her last outing,
Something's Gotta Give, but
The Holiday is still a decent romantic comedy, if a bit lengthy. It's a beautiful movie to look at all around, particularly because of and with the leads that Meyers has in the film. Well, maybe except
Jack Black who, perhaps, some will find a bit odd as a romantic leading man. He doesn't do bad -- it's just that people who've seen his movies are probably more used to seeing
Black as a hyperactive, physical comedian -- and in this flick, he's more low-key. Absolutely
wonderful film score by
Hans Zimmer.
'Nuff said.
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